Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Thursday, 25 February 2016

Walking through old Brownsville with Alfred Kazin

I have a weakness for post-war books about Jewish Brooklyn, describing with acriby the old and the news, the changes between generations while some things still stay the same. It is that combination between sadness and despair and hope that impresses me. 
Kazin's A Walker in the City has not only a clear literary value due to its beautiful and vivid descriptions, but also a sociological and anthropological importance, documenting the life of various generations of immigrants and their interactions with the outside world. It studies with the journalistic acriby people coming and going, the new generation and the old residents, or the social and religious network. 
The success of the residents of Brownsville's part of Brooklyn was confirmed by their departure from here. 'We were at the end of the line. We were the children of immigrants who camped at the city's back door, in New York's rawest, remotest, cheapest ghetto (...)', he described his native neighbourhood. When new people are coming, like the mysterious Solovey family, chosing this place after a life in big cities in France or Italy, there are soon to enter the big family of failures. 
He describes his school years, learning with rigid teachers, or the bar mitzvah preparations, reduced by some learning by heart practice. Although he is a socialist believer, and part of a secular family, he is curiously looking for some chasidim that might be a diversion to the distant religious practices, but there is no one around. But despite this, there is a feeling of togetherness shared at the family table every Friday evening: "We had always to be together: believers and non-believers, we were a people. I was of that people. Unthinkable to go one's own way, to doubt or to escape the fact that I was a Jew. I had heard of Jews who pretend they were not, but could not understand them". As he will outline later on: "Jews were Jews. Gentiles were Gentiles. The line between them had been drawn for all time". In later public appearances, he will said: "I was by temperament created for the idea of revolution, in the sense of making the world over and creating a new society".
The most terrible word is aleyn, alone. "Socialism would be one long Friday evening around the samovar and the cut-glass bowl laden with nuts and fruits, all of us singing tzuzamen, tzuzamen, ale tzuzamen!"
The first American born of the family, he is supposed to over achieve as a confirmation that the efforts of the parents of moving in this strange land, far away from der heym, were not in vain. "It was not for myself alone that I was expected to shine, but for them - to redeem the constant anxiety of their existence". Different perception of der heym shows the dramatic differences between generations and explains the strong American identity of 2nd or 3rd generation of Jewish immigrants. For Kazin, it was a 'terrible word". "I associated with that old European life only pain (...) and hopelesness". 
His life in Brownsville involves going out of the ghetto often searching for books, sharing his long love for reading and literature. As he will later confess: "Literature has been my lifework, my passion and oddly enough my 'profession'". "My idea of heaven is to settle down in a jet with a book, a notebook and a Martini" he said in an interview and he shared to the world his part of heaven through his books and literary analysis. 

Wednesday, 7 September 2011

Book Review: Tough Jews

As it is not for the first time I hear about the "Jewish gangsters" I was not excited at all by the topic of Rich Cohen's book: Tough Jews. Father, sons and gangsters. Originary from a family with connections with this world, I was expecting a detailed account of the mechanisms and motivations of the individual members of the group.
Although using academic research, the book includes many personal accounts and memories of his father, Herb Cohen, - whose best friend was Larry King, and this could be considered the weak point of the book as they lived in Chicago for a long time and the heart of the gangsters was New York. Also, I didn't like at all the writing style - too abrupt and not captivating at all.
But, at the end of the more than 200 pages, there are some good memories to keep in mind - and explore through other books. One of the most important is the idea of the Jews with guns and wealthy - not the sad and depressive accounts of the immigrants coming to America and fighting to survive. "Jews were bullied in America, but in America Jews could fight back" (p.42), in comparison with the Jews from Europe and far Russia victims of sheer anti-Semitism.
This is an explanation suggested by the author too, that I would like to believe, but for which I didn't find too many convincing, academic explanations in the book.
The fate of the gangsters was sealed and they didn't survive the Second World War. Names as Louis Lepke, Abe Riles, Mendy Weiss, Greenie Greenberg or Buggsy Goldstein remains sources of inspiration for movies or thriller books. And in a way it's good like this. The world Jewry was having other important things to do.

Saturday, 8 May 2010

New York city tales

Writing about well-known famous cities - as New York City - for example is risky, as there are places always on the front page of the newspapers from around the world and a permanent source of inspiration, reveries or even hate. In this case, what a writer must chose in order to make its writing interesting?

The advantages of the big cities is that you always could find new perspectives and new angles to outline. The direct personal experiences are adding a natural individual flavor you will not find in history books or usual news reports. Your art is to educate your eyes and share a personal experience of seeing a corner of a city. The voice in this case is only yours, as a strong manifesto of your individuality and precarity.

For me, Lily Brett's New York was an useful source of inspiration and exactly because of the very personal amprent of the place. About 50 very short stories, almost the same length, translating through her eyes a hectic world. I love New York and its people and its places, even it is not my favorite place in America. But I was pleasantly surprised to find in this book painting of corners and new descriptions of episodes I was familiar with. Enough food for my own literary travel works.