Showing posts with label Amos Oz. Show all posts
Showing posts with label Amos Oz. Show all posts

Saturday, 5 June 2021

A Tale of Love and Darkness. The movie

 


Based on the memoir by Amos Oz, A Tale of Love and Darkness, with a screenplay written and directed by Natalie Portman, is first and foremost a testimony of the weight of chronical sadness on family members. I may have a very personal take on it but the impact of living with and close to a direct family member affected by depression it is largely overrated. 

Set on background of the moving sands of the British-ruled Palestine on the way of becoming the UN-declared state of Israel, the movie respects in very fine details the letter and spirit of the book. The personality of Amos Oz and the roots of his literary influence are strongly portrayed, and the interpretation is important for those familiar with Oz´s work. However, the film can be watched/read beyond those limitations, as a story of Jewish life at the very beginning of the state of Israel, with a strong community of intellectuals looking for finding a place or a role, alongside the fighters for independence and the broken souls from the old Europe. 

All of those beginnings are portrayed in Oz´s tales, which maybe at a certain extent tried to keep alive those connection with the mother who left this world long before her physical disappearance. 

A Tale of Love and Darkness is a fine movie, with both an emotional and historical plot lines. Natalie Portman - playing the role of the mother - is an excellent actress, finelly carrying on the burden of the love and the darkness.

Wednesday, 13 May 2020

About Amos Oz

It really hurts me to know that Amos Oz is no more. That I will not have to wait another book or article or public position of him. Politically speaking, I might have shared a different perspective, but his sense of measure and balance belongs to a world that it is about to dissapear both physically and intellectually.
The dialogue he has with Shira Hadad - editor of Hebrew fiction and writer of TV drama series with a PhD about the works of Agnon - covers a variety of topics, most of them regarding his writing, personal history and experiences. I´ve read the German translated from Hebrew published as Was ist ein Apfel? (in English, What is an apple?), authored by Anne Birkenhauer, who translated into German also David Grossman, Aharon Appelfeld and Eshkol Nevo, among others.
People like Amos Oz are living history of the state of Israel, complementary to the political and military story. A story that at its very beginning counted among the elites no professional politicians, but people that grew up in old countries with a sense for literature and poetry but also with experience in the military combat. A completely mix of personalities that the new elites.
New times always require new elites and new characters and it is normal to be so. However, once you´ve had the chance to acknowledge differences, you will always be left with the taste of regret. Because you want to have someone to disagree with, that brings a different, moderate, anti-fanatical perspective. This book of conversations, published originally in 2018, the year of his death, shows Oz´s despise for fanaticism wherever it arises, not only in politics, but equally in literary field or the gender relations. Regardless of what you think about a topic, listening/reading to a different, more balanced opinion, helps from a critical thinking perspective.
In addition of the snippets of Israeli history, including his realistic memories about the life in the kibbutz, there are the slow stories about his writing process and how he was looking for sources of inspiration that I enjoyed the most. I can imagine him walking the streets slowly, observing other people, listening to their stories from afar, without interacting or disturbing. There are not too many people like him left.

Rating: 4 stars


Sunday, 21 February 2016

Book review: The Gospel according to Judas, by Amos Oz

Amos Oz represents for me a typical case of an author whose writing I like very much, and to whom I am indebted a lot in terms of literary development, but whose ideas are at the very very other end of my own thinking. I've read most of his books and I am always curious about new releases, but it seems that from a book to another, I am more and more disappointed.
The last two days I tried tremendously to finish a book who is greatly appreciated in Germany, Judas, as it was translated, or The Gospel According to Judas, according to some variants. It tells the story of a small microcosmos at the end of the 1950s Israel, made of Shmuel Ash, one of the best portrayed intellectuals in Oz's writings to date, the old Gershon Wald he is hired to take care of and entertain for couple of hours in exchange of boarding, and his daughter-in-law of his deceased son, Atalya Abrabanel. Following the bankrupcy of his parents company, Ash has to leave Haifa and his studies and find some work. Meanwhile, his girlfriend left him and he is left in the middle of a dramatic existential crisis. Atalya, a woman in his mid-40s, whose hands are obsessively described quite often - always as looking older than the rest of her appearance - was the daugher of a deceaed leader of the Zionist movement, who was in favour of a separation of the land with the Arabs. Ash is kind of falling in love with, accompanying her shyly to her pretended different detective work assignments, and the game of feelings is one of the best parts of the book.
Hoping in an eventual return to academic studies, Ash is using his time when not dating Atalya or entertaining Wald, to work to his graduation thesis, about Jesus from the Jewish perspective. The development of his ideas, his references and the discussion about them are actually the main part of the book. The thesis is that, in fact, Judas, is the one who played the most important role in spreading Christianity because he is the fact the one that was the agent of history whose treason made things happened. It seems that Oz himself is trying to come to right terms with his own history - his intelligence involvement with a British sergeant and his constant position since 1967 on behalf of Palestinians. The interpretation of Judas' personality resonates with the various discussions about the Abrabanel's radical separation from Zionism, with his final pledge against the very creation of a Jewish state. 

How far you can go?

The questions are: What are you about to do in order to achieve your ideas? What you do when your dream is fulfilled: you keep dreaming or you build another dream? 
In an interview for Israel Hayom with Eshkol Nevo, Oz explains that: 'sometimes, the title of traitor can be wear as a badge of honour', giving as diverse examples as Ben Gurion who accepted the partition plan, or Rabin or Ariel Sharon. He said that 'This book emerged from the pit of my Jewish stomach for all haters of Israel, for all those who creed Judas and drove the dagger into us and burned down the synagogue with the Jews alive inside it'. However, the problem is that the interpretation of the traitor cannot be separated from this new version of Judas and this is simply hard to digest. With a couple words and using his authority of star writer, Oz just turn everything in his favour. I can understand that he tries to publicly explain his own history and image in Israel but still, this sounds very false and in fact, excuses any treason, because, of course, the reason behind it was more noble than it looks at the first sight. Somehow, there is no middle way here: those who are weak and leftist will clap their hands and find a new rationale while those who understand why they are doing this, will never accept it. End of the story.

Deceived by the dream

'Israel was born out of a dream, or an entire spectrum of dreams. Every dream that is fulfilled leaves behind a taste of partial disappointment. The only way to maintain the purity of a dream is not to fulfill it. This holds true when it comes to building a house, writing a novel, traveling the world or fulfilling a sexual fantasy. Israel is a dream fulfilled, and thus necessarily leaves behind a slight taste of disappointment, despite the fact that it is still a fascinating fulfillment of some of the dreams', he said in the same interview. In other words, his apparent detachment and extreme positions that can be assumed as a traitor's are in fact the cri de coeur of too much love and intellectual instability.
With words, everything can be explained and justified, whatever the reason. Should it be a moral limit to it? Here to, it is a matter of choice and, after all, of intellectual honesty. 
This book was expected sooner or later, but left me very deceived because it just prove once again some personal assumption that great minds are not necessarily honest. 

Saturday, 24 September 2011

Browsing my bookshelf

Bookshelves 3 storiesImage via Wikipedia//Give me a library and take me out in 100-year timeIt was the last Shabbat of the year, not too busy and with a lot of books around. Not all of them very good, but interesting enough to mention them shortly:

On the gray side of the bookshelf:

Lev Raphael, The German Money - A spectacular ending, not necessarily worth to read the whole long story about too long - and sometimes boring - personal discoveries following the sudden heritage of almost 1 million $ representing reparations from the German state. The sudden death of the mother is leading to a well hidden and unexpected secret, but the way in which the story is built is sinous and too much focused on confession and soliloquia of only one character, not always in communication or coordination with the other participant at the plot.

Amos Oz, The Hill of Evil Counsel - Three novellas with nice words, but very badly put together to create good stories. Or maybe I fall on the wrong translation. Another incentive to improve my literary Hebrew.

On the light side of the bookshelf:

Soma Morgenstern, with a book about the post-Shoah life in Sereth, a Romanian locality important in the geography of Hasidism. A moving story about life, death, betrayal and hate.

The best choice of this Shabbat is Sami Michael's book about the disappearance of Jewish life in Baghdad, a history we are forgetting too easily.

Let's say it's enough for today - more books are waiting and will be soon mentioned here. Stay tunned, please!
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Monday, 27 September 2010

The next Nobel?

I was thinking during the week-end, following a discussion about a former laureate, who will be the next Nobel prize winner in literature? It is one of the categories I am always interested in. For the rest, I am not highly qualify to judge and utter too many opinions. Another one, the "Peace", I am convinced it is mostly politicized and don't have too many expectations. But literature...

And basically, I was thinking, what if...it will be Amos Oz? Because it is about politics here too, even the quality of the works are going far beyond the temporary divisions.

I love Oz's writings, from the children stories to the love novels. And the poetry. The contact was mostly mediated by translations, with the exception of some poetries accompanied with the English version, but still was able to fully feel the force of his words. As in the case of David Grossman, another favorite of mine, I was often disaponted by the incongruence of the political statements. Too late, too contextual, too stereotypical and biased for not being disappointed enough. Because I was expecting more intellectual strength and coherence, and the force to tell the truth and nothing but the truth. A force that I was always rely on in their writings.

Wait and see.

Monday, 10 August 2009

Faces of the Post-Zionism in Israel

Or trying to explain to outside-of-Israel people that it is a normal post-Zionist life. Or at least, that there are more chances now than it ten years ago, for example.


What is Allenby 40

Allenby 40 is known as the sleaziest dance bar in Israel; but if you ask the owner, an Orthodox Jew named Mendy, he would say it’s not sleazy but liberating. So, what would a Jew who grew-up Chabad know about liberation? A lot, it seems. At Allenby 40, Orthodox men can gulp a beer and three chasers with their kippah on — guilt-free. And if the religious feel that way, you can imagine how the secular Jew gets down at Allenby 40. The decor is minimalist — just some walls painted flesh and a few dangling disco balls, but the DJs.

Monday, 18 May 2009